It's not early spring but mid-fall, and I have no idea why Spotify decided I ought to listen to a reading of "Lines Written in Early Spring"...

I'd just finished listening to my old favorite radio show, Jean Shepherd — a great episode, "Prison Life" — and I was out running in the woods at sunrise and had not even touched my iPhone, when I heard a sonorous voice launch into what I now know is Wordsworth:

"It would be nice if the wall-to-wall marathon showings of A Christmas Story on TBS and TNT led to a rediscovery of Jean Shepherd's other work..."

"... and even to a revival of the radio arts, but given that people have so many other things to occupy themselves nowadays, that it's unlikely." 

Said Lurker21, in the comments to the Christmas Café.

I've never seen "A Christmas Story," though I am one of Jean Shepherd's biggest fans. For years, in the 1960s, I used to get in bed in time to hear the "Call to Post" — which, today, sounds like something about blogging — on my radio tuned to WOR. And then...

 

Listening to those Jean Shepherd radio shows in the dark, night after night, was the pop culture highlight of lifetime. Of course, I heard him read "A Christmas Story" ever year. That was a tradition. But better than that was any random show on whatever he decided to talk about that night — another story of his childhood (back in Indiana) or some odd trail of musings.

From Wikipedia: 

Shepherd's oral narrative style was a precursor to that used by Spalding Gray and Garrison Keillor. Marshall McLuhan in Understanding Media wrote that Shepherd "regards radio as a new medium for a new kind of novel that he writes nightly." In the Seinfeld season-six DVD set, commenting on the episode titled "The Gymnast", Jerry Seinfeld said, "He really formed my entire comedic sensibility—I learned how to do comedy from Jean Shepherd."... 

Shepherd was an influence on Bill Griffith's Zippy comic strip, as Griffith noted in his strip for January 9, 2000. Griffith explained, "The inspiration—just plucking random memories from my childhood, as I'm wont to do in my Sunday strip (also a way to expand beyond Zippy)—and Shep was a big part of them." 

In an interview with New York magazine, Steely Dan's Donald Fagen says that the eponymous figure from his solo album The Nightfly was based on Jean Shepherd. 

Though he primarily spent his radio career playing music, New York Top-40 DJ Dan Ingram has acknowledged Shepherd's style as an influence. An article he wrote for the March–April 1957 issue of MAD, "The Night People vs Creeping Meatballism", described the differences between what he considered to be "day people" (conformists) and "night people" (nonconformists).

A few days ago, in conversation on Facebook, I reconsidered my lifelong policy of averting my eyes from the film version of "A Christmas Story." Just to present my own comments: 

I've never seen "A Christmas Story" because I am too devoted to Jean Shepherd and the original story as told over the radio....

I know [you hear Shepherd's voice-over narration in the film], but I don't want to see the ideal replaced by a literal acting-out of the story by human actors. The adult's voice creates the kid feeling. I don't want to see a real boy acting out the emotions for the camera. It's radio, the ultimate in radio, and not film...

I think I need to change my position. "A Christmas Story" is a deviation from Shepherd's usual show, because he was reading a story — not riffing in real time — that had been published in a book and a magazine (Playboy). So it wasn't the pure radio ideal that I'm so staunch about. It is not one of his stories about his own youth, because he says before reading the story that the boy is *not* him. 

So did I finally watch the movie? No. Not yet, anyway. But I was motivated to listen to a random old show — something about midwestern drug stores. Nothing to do with Christmas, but I was listening on Christmas. 

I don't think of Shepherd as Christmas-y, and it annoys me a bit that so many people do. The radio show should be much more important that that one film version of a story he used to read on the radio. Should be, and perhaps is, as its influence is deeply woven into many things we actively enjoy today. It's baked into this blog.

Factoid: "Shepherd's friend Shel Silverstein likely wrote the Johnny Cash song 'A Boy Named Sue' because of him...."

Here's the podcast where I found my random old show yesterday. Here's a webpage with a lot of the old shows.

"Can you imagine C.L. Sulzberger as a kid?" — asks Jean Shepherd.

Long ago, long before Rush Limbaugh, we had Jean Shepherd on the radio, mocking the editorial voice of The New York Times.

A new Bloggingheads!

It's me and Jeralyn Merritt again. Topics:

Did the mayor of Gary, IN try to sabotage Hillary’s victory? (08:34)
Jeralyn makes the case for Clinton to stay in (09:39)
Ann fears Obama is too liberal, Jeralyn that he’s not liberal enough (05:59)
Will voters think Obama is angry because he’s black? (08:35)
What’s the real difference between Obama and Hillary? (04:46)
Looking ahead to a McCain Supreme Court (05:19)

ADDED: I just watched the episode and see that I neglected to connect up one thought: Hammond, Indiana got me thinking about Jean Shepherd because Jean Shepherd was from Hammond, Indiana. You know, it's not easy to use the stream-of-consciousness methodology.

Audible Althouse! It's back! It's #80.

Oh, my friends, I rediscovered the true meaning of podcasting tonight. If you're not with me on this one, you're not with me. Go away! Go away and never come back!

You don't need an iPod. You can stream it right through your computer here.

But if you're really with me, you'll subscribe on iTunes:

And stay tuned, because I've got a video clip of this recording session, which I'm going to add here.

ADDED: The video clip is coming. But I found the poem that I talk about in the podcast, the one that Jean Shepherd used to read. It's "Evolution" by Landon Smith. It begins:

When you were a tadpole and I was a fish
In the Paleozoic time,
And side by side on the ebbing tide
We sprawled through the ooze and slime,
Or skittered with many a caudal flip
Through the depths of the Cambrian fen,
My heart was rife with the joy of life,
For I loved you even then.

Mindless we lived and mindless we loved
And mindless at last we died;
And deep in the rift of the Caradoc drift
We slumbered side by side.
The world turned on in the lathe of time,
The hot lands heaved amain,
Till we caught our breath from the womb of death

AND: What it looked like:

"They were not a broadcasting concern to begin with. ... They went into business to affect elections."

Gloats Rush Limbaugh, as Air America files for bankruptcy. The implication is that his show is "a broadcasting concern," but you've got to wonder: How is his show less about affecting elections than "Air America"?

I like the idea that listeners can tell what the radio guy is up to. We're sensitive to the voice. We can tell when what the speaker wants is to tell you to get in line politically. (I feel the same way about blogging.)

I'm not a big listener of either Limbaugh or Al Franken, but, driving in my car, I've spent some time with both of them.

I think Limbaugh clearly and constantly is trying to get you to agree with his opinions, but he's got a joy in the moment that captures the listener. You know, I am the same age as Limbaugh -- we were actually born on the same day -- and I get the distinct sense that he was influenced by the two great, great radio guys that I listened to every day back in the 60s: Jean Shepherd and Cousin Brucie. These were not political broadcasters as all, just extremely entertaining radio voices.

Al Franken, being a comedian, ought to bring entertainment value to his radio show, but I never got the feeling that he was into the moment, that he had a sense of what it means to be a voice on the radio. He always sounds exasperated, like he's dragged himself to the studio and it's a tough job but somebody's got to do it. Why, oh, why, don't people get it yet? How many times do I have to tell you...