"The singer... swapp[ed] her trademark sweats for a style more domme than deb: pink Gucci corset and skirt over Agent Provocateur skivvies, accessorized with latex gloves and leggings. The choice was her own, Edward Enninful, the magazine’s editor in chief, wrote in the June issue. 'What if, she wondered, she wanted to show more of her body for the first time in a fashion story?' Mr. Enninful recalled. 'What if she wanted to play with corsetry and revel in the aesthetic of the mid-20th century pin-ups she’s always loved? It was time, she said, for something new.' To that end Ms. Eilish embraced the shopworn trimmings of female allure, offering the camera, without apparent irony, a nod to the sirens of golden age Hollywood and some of more recent vintage: Taylor Swift, Cardi B and Megan Thee Stallion among them."
Writes Ruth La Ferla in "On That Bombshell Billie Eilish Cover for British Vogue/The pop star known for defying gender stereotypes got a glamour makeover with a corset. Not everyone is happy about it" (NYT).
First, "garner" — she garners her fans. Doesn't just get them and doesn't quite win them. She garners them, so picture her storing them in silos, like grain.
If you've already garnered a "world of fans," what do you do next? Maybe offload some of them. Offend. Disappoint. She was the girl who covered up her body with big, heavy tracksuits — which she said she wore so people wouldn't focus on her body — so the opportunity was there, inside the suit, to put the body on show.
Enninful's quote challenges our credulity. It was all her idea. And it was "play"! Oh, was it? The NYT critic, La Perla, says she went for "the shopworn trimmings of female allure... without apparent irony." If it was play, why does it look so unplayful? Maybe the photographer's attempts to make it seem playful looked staged and creepy, and the glum face — hostage face — seemed at least arguably sophisticated.
Let's break the Enninful quote in half. The second half is believable: